Pjotr Ilyich Tchaikovsky - Marche Slave

We all know those pieces of music that we love but are slightly embarrassed about. Because really, it's too cheesy or too simple etc etc. For me, one of those pieces is Tchaikovksy's Marche Slave. It's so incredibly bombastic and in-your-face (which of course is my kind of thing) and it has the simplest but insanely-catchy melodies that will linger in your head for days. The strings are lush, as always with Tchaikovksy, and the brass is nice and loud but what really sells it for me is the percussion (esp after around 2 minutes, don't know why, the percussion really isn't that prominent). I bet that if I was the kind of person who'd get drunk (...ever) this would be my music of choice if only because it's the best thing to airdrum to.

Here, have a video of the Russian National Orchestra playing it very seriously:

Pjotr Ilyich Tchaikovksy - Symphony No.4

For some strange reason I've yet to post a symphony on here. And because I should wait till I post more Shostakovich, here's my favourite symphony that's not by him:




Tchaikovsky - Symphony No.4: I Andante sostenuto 
Played by the Chicago Symphony Orchestra, cond. Daniel Barenboim. 

Pyotr Ilyich Tchaikovksy (1840-1893) was a Russian composer, probably most well-known for his ballets The Nutcracker, Swan Lake and Sleeping Beauty as well as the Serenade for Strings and 1812 Overture (and maybe the Marche Slave as well?). I think he was an incredible composer mostly because his melodies are really beyond comparison. He was quite succesful during his lifetime although apparently rather miserable (partly, or mostly, because he was a repressed homosexual). He wrote 3 ballets, 10 operas, 8 symphonies (although only 6 of them are numbered), 3 piano concertos and whole bunch of other amazing things.

This fourth symphony is definitely one of my favourite symphonies ever. Quite a lot has been written about it, not least of all by Tchaikovsky himself who wrote in his correspondance with his patroness Nadezhda von Meck (to whom this symphony is also dedicated) that the first theme is actually Fate, "this is that fateful force which prevents the impulse to happiness from attaining its goal, which jealously ensures that peace and happiness shall not be complete and unclouded, which hangs above the head like the sword of Damocles, unwaveringly, constantly poisoning the soul. An invincible force that can never be overcome—merely endured, miserably". He also said that: "this is the first time in my life that I have attempted to put musical thoughts and images into words, and I cannot manage to do this properly. I was extremely depressed during the winter when writing the symphony, and it rather echoes my feelings at that time... They remain, in general, memories of most terrible and dreadfully difficult times". But even so, it's certainly not *that* gloomy to listen to, and it ends on quite a high note (though slightly bitter). You really should listen to the entire symphony, here's Mvt II: Andantino in modo di canzona, Mvt III: Scherzo, Mvt IV: Finale.